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CONCLAVE this week won a Golden Globe Award for the best screenplay. It was accepted by British writer Peter Straughan, above.
Not everyone is happy. The thriller stands accused of portraying every cardinal as “morally bankrupt and repulsive” by former Fox News host Megyn Kelly.
Two days ago she wrote on X:
Just made the huge mistake of watching the much-celebrated “Conclave” & it is the most disgusting anti-Catholic film I have seen in a long time. Shame on Ralph Fiennes, Stanley Tucci & John Lithgow for starring in it & shame on director Edward Berger (among others) …. They would never do this to Muslims, but Christians/Catholics are always fair game to mock/belittle/smear.

Despite Kelly’s whinging, Conclave has proved a massive hit with reviewers, one of whom, Jared Rasic, wrote:
Who knew a bunch of old men voting for a new pope would feel like a glossy Hollywood thriller? Ralph Fiennes gives career-best work here, and that’s saying something.
Wiki points out that John Mulderig of the Catholic OSV News opined that in Conclave, “rival viewpoints within the church are caricatured with a broad brush … and the deck is predictably stacked in favor of those who advocate change.”
He warned that:
All moviegoers committed to the church’s creeds will want to approach this earnest, visually engaging but manipulative — and sometimes sensationalist — production with caution.
According to Rotten Tomatoes, the movie scored a whopping 93 percent among reviewers and 86 percent among viewers.
And Forbes Magazine rated it as one of the four best films of 2024. Scott Phillips wrote:
Ray Fiennes leads a stunning ensemble cast in this thriller about the backroom politicking and deal making that precedes the election of a new Pope. Conclave is old school filmmaking of the highest order: a brilliant screenplay combined with a cast that brings it vividly to life. The suspense is generated through dialogue and character dynamics …
Contrast this with a report on far-right Christian site, LifeSiteNews. Stephen Kokx wrote:
While the movie’s cinematography is to be praised, the wooden acting and superficial storyline that cartoonishly depicts the various factions in the church not only makes it rather predictable but reveals its director has a grade-school level understanding of the faith.
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